{"id":206,"date":"2016-09-03T22:03:25","date_gmt":"2016-09-03T22:03:25","guid":{"rendered":"http:\/\/dougyoungalive.com\/wp\/?page_id=206"},"modified":"2019-12-14T21:50:22","modified_gmt":"2019-12-14T21:50:22","slug":"cv","status":"publish","type":"page","link":"http:\/\/dougyoungalive.com\/index.php\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n
\n

Doug Young<\/h3>\n

Born in Chicago<\/span>
\nLives and works in Brooklyn<\/span><\/td>\n

download pdf here<\/a><\/td>\n<\/tr>\n
\n

EDUCATION<\/h4>\n

MFA\u00a0\u00a0Pratt Institute<\/span>
\nBFA\u00a0\u00a0\u00a0The School of the Art Institute of Chicago<\/span><\/td>\n<\/tr>\n

\n

SOLO EXHIBITIONS<\/h4>\n

2019<\/span> The Slow Death of Rocks | Second Street Gallery<\/a> | Charlottesville, VA<\/span>
\n2016<\/span> General Dynamics | The Lodge Gallery<\/a> | New York<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Installation of Chains<\/em> | Van Doren Waxter<\/a> | New York<\/span>
\n2014<\/span> Trace Evidence | The Lodge Gallery<\/a> | New York<\/span>
\n2008<\/span> One Soft Infested Summer | Roebling Hall<\/a> | New York<\/span>
\n2007<\/span> The Eternity of White | Alcove<\/a> | New York<\/span>
\n2004<\/span> The House of Dark Hours | Roebling Hall | Brooklyn<\/span>
\n2003<\/span> Bell & Young Over and Beyond | The Pond | Chicago<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> “Something Else”, WLUW (88.7) FM | Sunday, March 23 | Chicago<\/span>
\n2002<\/span> Easter Rooftop Performance | Willoughby & Wilson | Brooklyn<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> The Garden | John Connelly Presents at Brooklyn Front Gallery | Brooklyn<\/span><\/td>\n

<\/td>\n<\/tr>\n
\n

PUBLICATIONS<\/h4>\n

2019<\/span> Antennae: The Journal of Nature in Visual Culture<\/i> | Making Nature, Issue #49 <\/a>| “Providence Under Glass”<\/span> (download article pdf<\/a>)<\/td>\n<\/tr>\n

\n

AWARDS<\/h4>\n

2001<\/span> Guinness Book World Record Longest non-stop banjo performance in history\u201424 hours total<\/span><\/td>\n<\/tr>\n

\n

GROUP EXHIBITIONS<\/h4>\n

2019<\/span> Big Ringer | Andrew Edlin Gallery<\/a> | New York<\/span>
\n2018<\/span> Black Friday 2 | George Gallery<\/a> | Brooklyn<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Bear Necessities | Pratt University |Brooklyn<\/span>
\n2016<\/span> Paul Brainard: ROASTED | The Lodge Gallery<\/a> | New York<\/span>
\n2015<\/span> Post Human Utopia | The Lodge Gallery<\/a> | New York<\/span>
\n2014<\/span> Pop-up Brooklyn | Wasserman Projects<\/a> | Birmingham, MI<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> The Invitational | Kunsthalle Galapagos<\/a> | Brooklyn<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> It’s a Bored Nation | Kunsthalle Galapagos<\/a> | Brooklyn<\/span>
\n2013<\/span> Into the Vortex | Lesley Heller Workspace<\/a> | New York<\/span>
\n2011<\/span> Die Like You Really Mean It | Allegra La Viola Gallery<\/a> | New York<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Working Together | Sugar<\/a> | Brooklyn<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Magic | Bumbershoot | Seattle<\/span>
\n2010<\/span> Love and Freedom | Sugar | Brooklyn<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Magic: The Science of Wonder | Houston Museum of Natural Science | Houston<\/span>
\n2009<\/span> Los Angeles Conference on Magic History | Los Angeles<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Chelsea Visits Havana | Museo Nacional de Bellas Artes | Havana, Cuba<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Town Hall Meeting | Midland Art Center | Indianapolis<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> A Taste of Sugar | Sugar | Brooklyn<\/span>
\n2007<\/span> Mcleod Room | Mcleod Residence | Seattle<\/span>
\n2006<\/span> Friends of Wyatt | Texas Firehouse | Long Island City, NY<\/span>
\n2005<\/span> Facing Newark | Newark Arts Council | Newark NJ<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Lumen | Red Saw | Newark, NJ<\/span>
\n2004<\/span> Dum Dum Grown-Up Art | HEREart | New York<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Infinity | Hogar Collection | Brooklyn<\/span>
\n2003<\/span> Portraiture Salon Style | Diamantina Gallery | Brooklyn<\/span>
\n2001<\/span> Banjo Performance | Good Bad Art Collective | Brooklyn<\/span>
\n2000<\/span> Group Show | Exhibition Space 156 | Brooklyn<\/span>
\n1997<\/span> Christmas Show | The Williamsburg Art & Historical Center | Brooklyn<\/span>
\n1995<\/span> Armed for Bear | Backburner Clearinghouse Gallery | Chicago<\/span>
\n1994<\/span> All Elvis Hunka Hunka Burnin\u2013 Love | Tabula Rasa Gallery | Chicago<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> Small Works | One Country Gallery | Chicago<\/span>
\n1993<\/span> Open Walls | ARC Gallery | Chicago<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> The Artwork of Jason Bell & Doug Young | Neo-Futuranium | Chicago<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 <\/span> The First Show | The 80 Watt Space | Chicago<\/span>
\n1992<\/span> Sentimental Art | Beret International Gallery | Chicago<\/span><\/td>\n<\/tr>\n

\n

PRESS<\/h4>\n<\/td>\n<\/tr>\n

Quiet Lunch<\/span> “General Dynamics. | Doug Young. | The Lodge Gallery.”<\/a> | November 16, 2016<\/span>
\nBedford + Bowery<\/span> “Artist Doug Young Attempts to Elevate \u2018Low\u2019 Art to Uplifting”<\/a> | November 15, 2016<\/span>
\nBedford + Bowery<\/span> “Things We (Can\u2019t Believe We) Saw at Bushwick Open Studios”<\/a> | June 8, 2015<\/span>
\nThe Examiner<\/span> “Winter gallery focus: 2014” | February, 2014<\/span>
\nBedford + Bowery<\/span> “A Record-Setting Banjo Picker Created These Fantastic Glass Paintings”<\/a> | February 26, 2014<\/span>
\nWhitehot Magazine<\/span>“Die Like You Really Mean It @ Allegra LaViola Gallery”<\/a> | November, 2011<\/span>
\nThe Seattle Weekly<\/span>“Bumbershoot Visual Art Preview: The Magic Show”<\/a><\/span> | September 2, 2011
\nThe Seattle Times<\/span>“Bumbershoot Preview: Visual Arts”<\/a><\/span> | September 1, 2011
\nBreakthrough Radio<\/span>Interview: Art Uncovered: Doug Young<\/a><\/span> | May 17, 2011
\nGenii: The Conjurers’ Magazine<\/span>“The 11th Los Angeles Conference on Magic History”<\/a> | January 2010 \u2022 Volume 73 \u2022 Number 1<\/span>
\nThe New Cuba<\/span>“Chelsea Visits Havana “<\/a><\/span> | April 14, 2009
\nNew York Times<\/span>“Havana Biennial in Which Chelsea takes a Field Trip to Cuba”<\/a><\/span> | March 31, 2009
\nBBC News<\/span>“Art Exhibit Fuels US-Cuba Thaw”<\/a><\/span> | March 29, 2009
\nReuters (ABC News)<\/span>“Cuba Opens First Big US Art Exhibit Since 1980\u2019”s<\/a><\/span> | March 28, 2009
\nWall Street Journal<\/span> “Cuba Now”<\/a><\/span> | March 27, 2009
\nAssociated Press <\/span> “NY Art Exhibit Takes Chelsea to Havana”<\/a><\/span> | March 23, 2009
\nSunset<\/span>“A Lounge for Inspiration”<\/a><\/span> | November, 2007
\nInterior Design<\/span>“Fit For a Lady”<\/span> | September, 2007
\nNY Arts Magazine<\/span>“Dum Dum Grown-ups”<\/a><\/span> | March, 2004
\nBlock Magazine<\/span>“Bringing Art Home” | January, 2004
\nTimeOut New York<\/span>“Housing Development”<\/span> | January 22-29, 2004
\n24-Hour Banjo Marathon<\/span>Banjo Newsletter<\/span> | December, 2001
\nNew York Press<\/span>“Doug Young Sets a New World Record for Banjo-Playing”<\/a><\/span> | June 6-12, 2001 <\/span><\/td>\n		<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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